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You Got the Gig (Just Not the Rate.)


No one talks about how much it hurts to stand up for your rate and still get told no.


We've all heard it: Know and charge your worth! Stop undercharging! Good advice. Until you have to actually negotiate it. Because what we don't talk about is what it feels like to name your number and watch someone offer you a fraction of it and call it a compromise, hire someone else, or full-on ghost you.


Why they said no to your rate isn't always obvious. Maybe they genuinely wanted you, but budget is too tight. Maybe they don't actually know the value you bring. Maybe, sadly and realistically, they were never really hiring YOU. They were just trying to fill a spot. Sometimes you find out their usual person fell through, so they thought of you. Weirdly affirming, until you find out what they're offering.


Here's what I've learned. It doesn't much matter why. You can get stuck in a loop trying to explain it away. The reality is, every low rate you do accept teaches the market what you cost.


Take enough low gigs, and that becomes your number, both in their heads and, even worse, in your own.

Yet, nobody negotiates a ticket to hear Taylor Swift. The Porsche costs what the Porsche costs. You've never once tried to talk the AC guy down, either. You wouldn't dream of it. Only in the arts do we treat our own worth as a suggestion, set by whoever happens to be asking. And sadly, our fellow artists are the worst offenders. The ones who should know proper valuations and support self-advocacy for rates are the first to dismiss and undercut our price.


So you start saying no. To lowball offers. To accompanying jobs where they burn your afternoon on the a cappella numbers while you sit and wait to be useful. To contest work that eats two days and pays like it was two hours. Good money, some of it. Most of it not. You walk anyway.


Now the honest part. Saying no is easier for me than it used to be. I have other work. I have people and support around me. I'm not choosing between my rate and my rent. Is that a privilege? Of course. But hear me: you build that. Nobody hands it to you.


The freedom to say no is something you construct on purpose, so that one day you aren't forced to take less and work more. That isn't the reward at the end of the road. That's the road.

(And yes, I tell people what I'm actually paid. Out loud.

The silence around rates is exactly how we all stay underpaid.)


The no still stings. I get it. And I let it hurt. Grieve the gig as needed. Be angry at how the system works. Then take your time back and spend it on the people who'd move mountains to have you, not the ones still deciding whether you're worth their low rate.


The market will always tell you you're too expensive. That's the market's job. What you're worth gets to be up to you.

If you're sitting inside one of those decisions right now, still turning over what your time is really worth and how long you're willing to hold out for it, that's the conversation I love having most. Let's talk.

 
 
 

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DR. JONATHAN GREGOIRE

ORGANIST  |  EXECUTIVE COACH FOR ARTISTS

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UPCOMING EVENT

Duruflé Requiem
Episcopal Church of the Transfiguration

Dallas, TX

Monday, November 2, 2026 | 7:00 p.m.

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